From “The Persistence of National Visions”

CILECT Conference, 2000

European Film College, Ebeltoft, Denmark

 

Edited by Henry Breitrose

 

Contents:

 

Preface

 

Introduction, The Persistence of National Visions, Henry Breitrose

National Visions, Globalization-What Is To Be Done? A Personal View, Igor Koršič

 

Keynote, A Teacher’s Tale, Mogens Rukov

 

 

 

Panel 1  Resisting Imitation

 

Producing Globally, Jim Stark, U.S.

 

Vision and Tolerance, Henning Carlsen, Denmark

 

From the Panel:

 

Imitation and Authenticity, Maria Dora Mourão, Brazil

 

A Report on the Latin American Sights Project

 

Imitation and Authenticity in the Philippine Cinema Vision, Virginia  Moreno, Philippines

 

Teaching Authenticity, Don Zirpola, USA

 

 

 

Panel 2 National Style

 

The Giant and the Dwarf, Eduardo Escorel, Brazil

 

 Discussion

 

 Some Thoughts About Style, Wolfgang Längsfeld, Germany

 

 

 

Panel 3 Working within Limits

 

A Dialogue About Limits, Mabel Cheung, Alex Law, Hong Kong

 

From the Panel:

 

Limits: Ghana’s Experience, Martin Loh, Ghana

 

Working Within Limits in Schools, Chap Freeman, USA

 

Limits in the Australian Context, Jenny Sabine, Australia

 

Intervention, Aimée Boulos, Liban

 

On Limitations, Henning Camre, Denmark/UK

 

Panel 4-Innovation and Experiment

 

A Producer’s Tale, Bernd Eichinger, Munich and Los Angeles

 

Discussion

 

Innovation: Drawing on Tradition, Deepa Mehta, Canada and India

 

Discussion

 

From the Panel

 

Lauri Törhönen, Finland

 

Brian Winston, U.K.

 

The Løǿdz Experience, Andrzej Bednarek, Poland

 

 

 

Appendix 1: Two Interviews with British Film Producers

 

Simon Perry

 

Tim Bevan

 

 

 

Appendix 2: Participants